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Brenwar- A forgotten poem

Brenwar- A forgotten poem

renwar remains one of those rare places that still belongs to silence.

Through misty mornings, fading wooden homes and timeless village rhythms, Danish Mohiuddin captures Brenwar as a living memory of the Kashmir slowly disappearing from modern life.

Tucked quietly near Chadoora in central Kashmir’s Budgam district, Brenwar does not announce itself loudly. It arrives slowly – through mustard fields trembling in spring wind, through the smell of damp earth after rain, through old wooden homes leaning gently into memory. In a Valley obsessed with famous destinations, Brenwar remains one of those rare places that still belongs to silence.

 

  1. Cinematic mornings

Morning in Brenwar feels cinematic. Before sunrise fully settles over the fields, a silver mist drifts across orchards and narrow lanes. The poplar trees stand like sentries while distant Masjid loudspeakers fold into birdsong. It is the kind of dawn that makes people speak softly.

 

  1. Different moods

Spring spills almond blossoms across courtyards. Summer turns paddy fields into endless green mirrors. Autumn arrives with copper Chinar leaves and apple-laden trees. Winter wraps the village in smoke, snow, and pherans. Brenwar is not one place, it is four different moods stitched together by time.

 

  1. Living landscapes

The paddy fields around Brenwar are not merely agricultural land, they are living landscapes. On windy afternoons, the crops sway like waves. Farmers move rhythmically through the fields while egrets follow behind. The entire countryside seems to breathe in slow motion.

 

  1. Carrying stories

Unlike rapidly urbanising towns, Brenwar still preserves fragments of old Kashmiri architecture – wooden windows, sloping tin roofs, lattice balconies, and carved doors weathered by decades of snow. Some homes appear suspended between history and ruin, carrying stories nobody fully remembers anymore.

 

  1. Layered silence

Cities make silence feel empty. Brenwar makes silence feel alive. You hear water channels, rustling leaves, distant conversations, the crackling of kangris in winter rooms. The quiet here is layered, textured, almost sacred.

 

  1. Slowness

When snow settles over Brenwar, everything slows down. Smoke rises from chimneys. Footprints remain pressed into white pathways. Children slide across frozen patches while elders gather around samovars discussing politics, harvests and old winters that were supposedly harsher than this one.

 

  1. Close to nature

Streams cut through the outskirts. Willow and poplar trees line the roads. Sparrows gather beneath rooftops. In the evenings, cattle return home through muddy tracks while the sunset dissolves behind the Pir Panjal mountains. Brenwar still carries the rhythm of rural Kashmir before concrete overtook imagination.

 

  1. Soft traditions

Hospitality in Brenwar is instinctive. Tea appears before conversation does. Guests are welcomed with noon chai, girda bread, and stories. Weddings still spill into neighbourhoods. During harvest season, families help one another in fields the way Kashmir once traditionally functioned – collectively.

 

  1. Quietitude

Perhaps Brenwar’s greatest beauty is that it has resisted urgency. Life here still pauses for snowfall, prayer calls, afternoon tea, and orchard work. There are places that impress you instantly; Brenwar grows on you quietly.

 

  1. Preserving memory

Not curated Kashmir. Not postcard Kashmir. But lived Kashmir – intimate, slow, weathered and deeply human. In Brenwar, beauty does not arrive dramatically. It lingers in smoke curling from rooftops, in muddy shoes left outside wooden doors, in fading winter light falling across empty fields. And perhaps that is why places like Brenwar matter more than ever: they preserve not just landscapes, but memory itself.

About the Author

A postgraduate in Convergent Journalism, Danish Mohiuddin approaches storytelling as a visual and narrative craft. With a strong interest in cinematography and filmmaking, his work often lingers on the human dimensions of news.

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